<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Italy on The CineBlog</title><link>https://thecineblog.com/tags/italy/</link><description>Recent content in Italy on The CineBlog</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Tue, 03 Nov 2026 20:47:48 -0600</lastBuildDate><atom:link href="https://thecineblog.com/tags/italy/index.xml" rel="self" type="application/rss+xml"/><item><title>Spring: The International Micro-Budget</title><link>https://thecineblog.com/stories/spring/</link><pubDate>Mon, 25 Mar 2024 00:00:00 +0000</pubDate><guid>https://thecineblog.com/stories/spring/</guid><description>&lt;p&gt;There is a tired, accepted rule in independent filmmaking: if you have no money, you shoot in a single room. You trap two actors in a cabin and hope the dialogue holds. Justin Benson and Aaron Moorhead looked at their micro-budget and rejected the rule entirely. They decided to shoot an international romance and body horror film on location in Italy.&lt;/p&gt;
&lt;h2 id="the-scrappy-aesthetic"&gt;The Scrappy Aesthetic&lt;/h2&gt;
&lt;p&gt;&lt;em&gt;Spring&lt;/em&gt; is a masterclass in bypassing traditional studio overhead. When you do not have the budget to build a sweeping, atmospheric set, you must steal it from reality. By utilizing the expansive, ancient architecture of the Italian coast, they generated an aesthetic that completely belied the film&amp;rsquo;s scrappy, low-cost origins. The production value of the Mediterranean Sea is free, provided you are willing to deal with the logistical nightmare of dragging a skeleton crew overseas.&lt;/p&gt;</description></item></channel></rss>