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    <title>Greece on The CineBlog</title>
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      <title>Dogtooth: The Architecture of Control</title>
      <link>https://thecineblog.com/stories/dogtooth/</link>
      <pubDate>Sat, 13 Apr 2024 00:00:00 +0000</pubDate>
      <guid>https://thecineblog.com/stories/dogtooth/</guid>
      <description>&lt;p&gt;When directing actors, the primary goal is usually to elicit natural, emotional, &amp;ldquo;human&amp;rdquo; performances. In &lt;em&gt;Dogtooth&lt;/em&gt;, Yorgos Lanthimos does the exact opposite. To construct a horrifying portrait of a family living in an isolated, artificially constructed reality, he systematically strips his actors of natural human behavior.&lt;/p&gt;
&lt;h2 id=&#34;the-trance-of-the-deadpan&#34;&gt;The Trance of the Deadpan&lt;/h2&gt;
&lt;p&gt;Lanthimos directs his actors to deliver their dialogue in a notoriously flat, monotone, and deadpan style. The characters do not inflect; they do not emote. This verbal strangeness forces the characters to appear as if they are in a trance, perfectly reflecting their status as infantilized subjects who have been brainwashed by their parents&amp;rsquo; authoritarian social experiment. They are repeating words, not feeling them.&lt;/p&gt;</description>
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