<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Crime on The CineBlog</title><link>https://thecineblog.com/tags/crime/</link><description>Recent content in Crime on The CineBlog</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Mon, 02 Nov 2026 18:48:07 -0600</lastBuildDate><atom:link href="https://thecineblog.com/tags/crime/index.xml" rel="self" type="application/rss+xml"/><item><title>The Only Living Pickpocket in New York: Watch the Hands</title><link>https://thecineblog.com/stories/the-only-living-pickpocket-in-new-york/</link><pubDate>Wed, 28 Oct 2026 00:00:00 +0000</pubDate><guid>https://thecineblog.com/stories/the-only-living-pickpocket-in-new-york/</guid><description>&lt;p&gt;I am going to talk about the hands, and let everything else in Noah Segan&amp;rsquo;s &lt;em&gt;The Only Living Pickpocket in New York&lt;/em&gt; follow from them, because that is how the film itself is built. Harry (John Turturro) lifts a wallet and a gym bag from a young man in the opening stretch using, by IGN&amp;rsquo;s account, only a penny, and IGN goes on to describe the method the film takes care to show us: wallets snatched as if the thief were invisible, overcoats cut with tactical pockets so that the path from removal to hiding place is the shortest possible. The Substack critic John Doc calls these passages process porn, with approval, and he is right to approve; a film that bothers to show you how a trade is actually done has already made a promise about how seriously it will take everything else. Système D as a way of life, filmed with respect. The question is whether the rest of the picture keeps the promise the hands make.&lt;/p&gt;</description></item></channel></rss>