<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Anatomy of the Craft on The CineBlog</title>
    <link>https://thecineblog.com/tags/anatomy-of-the-craft/</link>
    <description>Recent content in Anatomy of the Craft on The CineBlog</description>
    <generator>Hugo</generator>
    <language>en-US</language>
    <lastBuildDate>Tue, 02 Jun 2026 13:00:10 -0500</lastBuildDate>
    <atom:link href="https://thecineblog.com/tags/anatomy-of-the-craft/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>The Mechanics of Desire: Deconstructing &#39;Portrait of a Lady on Fire&#39;</title>
      <link>https://thecineblog.com/stories/portrait-of-a-lady-on-fire/</link>
      <pubDate>Thu, 14 Nov 2019 00:00:00 +0000</pubDate>
      <guid>https://thecineblog.com/stories/portrait-of-a-lady-on-fire/</guid>
      <description>&lt;p&gt;When you&amp;rsquo;ve spent thirty years fighting for every euro on independent film sets, you develop a distinct allergy to the romance of filmmaking. The press loves to talk about the &amp;ldquo;magic&amp;rdquo; of a period piece, as if the director merely closed her eyes and willed the 18th century into existence. But when you are standing in the freezing damp of a historic château in Seine-et-Marne, knowing you only have 38 days to capture a masterpiece, there is no magic. There is only geometry, physics, and a relentless ticking clock.&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
